Tuesday, November 13, 2007

Books in the GTCC Libraries-Stephen R. Donaldson, The Last Chronicles of Thomas Covenant: Fatal Revenant

It Is Slowly Drawing to a Close...

The Chronicles of Thomas Covenant the Unbeliever started way back in 1977. As seems to be the case with much modern fantasy, the series is published in sets of threes, the first set being The Chronicles of Thomas Covenant the Unbeliever, and the second set being The Second Chronicles of Thomas Covenant the Unbeliever. Catchy titles, eh? The last installment is projected to be four books, starting with The Runes of the Earth and continuing with the latest installment, Fatal Revenant.

The Chronicles of Thomas Covenant is regarded by some as a modern fantasy classic. The hero is an author from the “real” world who finds himself translated to an alternate world, the “Land.” The second trilogy demonstrates that that there is a larger world beyond the Land, but for the most part the action in the books is set in the Land proper.

Covenant has two basic problems. He is never really sure if the Land is real and he has really been relocated to this new reality, or it the Land is a product of his increasing insanity, brought on by loneliness and isolation.

This loneliness and isolation is caused by the second of Covenant’s problems: he suffers from Hansen’s disease, better known as leprosy. Much of the first trilogy is devoted to how the local population in the “real” world reacts to having a leper in their midst. Covenant is first shunned by the people of his town, a sort of collective pretending that he no longer exists. As he refuses to accept this situation, and makes ever more desperate attempts for some kind of human contact, the shunning turns to persecution.

The place where Covenant finds himself now is a place infused with something called Earthpower, essentially the living vitality of Nature made manifest. Covenant is healed of his leprosy, but the consequences for the people of the Land who have aided him in his dislocation are catastrophic in every way.

Also, the Land is beset by its ancient foe, a being who calls himself Lord Foul the Despiser. In many ways Lord Foul is the embodiment of the inner darkness of humanity. Foul’s intent is pretty simple-he intends the complete and utter ruin of the Land and indeed of the Earth itself.

Space does not allow for fuller back-story, but the essence of the rest of the series is Covenant’s ongoing battle to save the Land from the machinations of Lord Foul, and the utter and extravagant lengths he will go to achieve this. Eventually this struggle comes to include a woman from the real world, Linden Avery, a physician with her own woes of spirit and mind who becomes involved in looking after Covenant, and who eventually finds herself whisked off to the Land with him. This is the starting point for the second trilogy, and it ends with Covenant defeating Lord Foul again, but this time at the cost of his life. Along the way we get further development of the Land and this time this alternate Earth as it exists outside the Land.

The latest round of books deals with yet another threat to the Land from Lord Foul, but this time around Linden is the Land’s champion. Foul draws her to the Land by kidnapping her adopted son Jeremiah. Linden goes on to have her own series of adventures in the Land. I assume (and I hope) that the conclusion of the Final Chronicles of Thomas Covenant will be the end, one way or another. 2 books down, 2 books to go.

So why read the latest book? This is not the entry point to the series. After reading Fatal Revenant and having a few days to digest it, I think it would be almost impossible to access the series from this book. For long time readers of the series though, it is invaluable.

Many, many things dating back to the first book in the series, Lord Foul’s Bane, are clarified and explained, and Donaldson works very hard at connecting the many, many threads that inevitably develop in a story and mythology so vast.

Donaldson is really one the writers in whom you can see a change and improvement in his writing and storytelling skills as you trace his career. I found the tension in Fatal Revenant almost unbearable at times. Some of that, of course, comes from being a long time reader of the series and waiting for the next little scrap of information. But as I think about it seems there is a discernable improvement in Donaldson’s craftwork. Your mileage may vary.

Fatal Revenant, and the rest of the series for that matter, is not an easy read. Many of the characters, including the chief protagonists, are very troubled people in very, very serious ways. But that is one of the challenges of reading the series-it presents an almost endless series of moral and ethical issues for the reader to ponder. I like that in Covenant and Linden’s stories, but it is definitely not for everyone.

Another issue is Donaldson’s use of Big, Important Words When Lesser Words Would Suffice. This is one area of his writing that has not improved. I have mixed feelings about a book I need a dictionary at hand to read. Still, reading The Chronicles of Thomas Covenant will enhance your vocabulary. You will have to decide if that is a good reason for reading one of the more massive fantasy series around today.

Fatal Revenant is a must read for fans of the series, but it is not the place to try to gain entrance to the series. If you are in need of a new fantasy epic and have not read this series, and are interested in something really different, go find Lord Foul’s Bane at Edwin McKay’s, work through it, and then decide if you are hooked. If you are, then you will find some rare fantasy treasures in the stories of the Land, its enemies, and its protectors.

Friday, November 09, 2007

THIRD THURSDAY THEATER Nov. 15

THIRD THURSDAY THEATRE

presents

Joyeux Noël

(Merry Christmas)

Enemies abandon their weapons for one night during World War I.

Thursday

November 15, 2007

12 p.m.

AT Auditorium

Professors Conchita McNeal and Bill Raines will lead a discussion of the film after the screening.

Sponsored by

The Internationalizing the Curriculum Committee, The Department of Communications and Fine Arts, & The GTCC Spanish Club

Tuesday, November 06, 2007

A "Tooting LRC Staff's Horn Moment"-GTCC Librarian Published in Professional Journal!

Keith Burkhead, the Greensboro Campus Librarian, had his essay "Problem Patrons, or How I Learned to Stop Worrying and Love the Ban" published in the Perspectives column of the September/October 2007 issue of Public Libraries, a publication of the Public Library Association.

Sunday, November 04, 2007

Is This GTCC?


Upcoming program not to miss!


Friends of the Library Presentation On the GTCC Historical Archives

Thursday, November 29, 2:00 PM - 3:00 PM, in the library

Belinda Daniels-Richardson, librarian for the GTCC Historical Archives, will talk about what the project is, how it started, what's in it, and why you will be very interested.

For a preview, go to the GTCC Archives Website

Thursday, November 01, 2007

Books in the GTCC Libraries-Cormac McCarthy's The Road

The Road Less Traveled? Better The Road Never Traveled.

The Road-Cormac McCarthy


I’ve been putting off writing a review of this book for some time now. It is not that it isn’t a good book-in fact it may be a great book, one of the best written in this young century and millennium.

But the fact is I do not like mentally revisiting the world of The Road. It is a harsh and unforgiving place, and is a meditation on what is truly the worst and the best in humankind. The best is there in acts and words of kindness, love, and beauty. The worst is there in acts and words of wanton cruelty and barbarity.

If you have read other books by Cormac McCarthy you will already be aware that his outlook is, to be brief, bleak. The murderous loner in Child of God, the lonely and lost cowboys of the Plains trilogy, and the apocalyptic gang of mercenaries-cum-outlaws in Blood Meridian are all inhabitants of the world that has reached its culmination in The Road.

The Road centers on the travels of a nameless man and and his young son as they wander what appears to be a post-nuclear exchange United States. The world is locked in the grip of the much debated “nuclear winter”, and there is very little life of any kind-human, animal, plant-left. The bare necessities of living-food, water, clothing, shelter-are almost impossible to come by, and can only be found by incessant scavenging of every home, shop, and building left standing. The road of the title refers to the highways that our hapless pair follow as they look for some surviving community that has maintained the minimum standards of civilized behavior.

Because for the most part, civilized behavior is a thing long blown away, like the grey ash that constantly fills the air of this strange new world. The man and the boy may be the last civilized people left in the world. Their journey consists in part of hiding whenever they encounter strangers, trying to determine if they will be welcomed as fellow survivors or as a new source of protein. Cannibalism is a very real thing among the desperate survivors of the nuclear exchange.

I told you it was bleak.

Yet among the ruins there are moments of mercy, of kindness, of humanity. The man tries desperately to protect the innocence of his son, and of course in this world there is ultimately no way he can. He is also trying to teach him what he needs to know to survive, and the balance between innocence lost in the face of doing what is required to live is an ever present theme of The Road.

As you read The Road the hint of the ending is all to clear, and I suppose is some of why it affected me so deeply. I don’t want to give it away, but it centers on the meaning of being a parent. My own son is only a little older than the child at the heart of The Road, and the ending brings painful consideration of what the final task of a parent is.

Again, if you have read other books by McCarthy you will already be familiar with the quality of the prose in The Road. The poetic liquidity of his language and what it invokes only serve to heighten the elegiac tone of The Road. Consider this passage

“The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes."

The English language as it can shaped only by the hands of a master craftsman.

So take the long, slow walk of The Road. You may not like what you find along the way, but at the end of the journey you may find yourself understanding what it is that makes us human and what keeps back the darkness a bit better. This, to my mind, is what the best literature does-imparting some wisdom about the human condition. And the human condition, good and bad, light and dark, is what is at the center of The Road.